Showing posts with label voice. Show all posts
Showing posts with label voice. Show all posts

Friday, 26 September 2014

Ghost School / Whispering Corridor's overview

I have recently watched and review the 5 films that make up the Whispering Corridors/ghost School series of films  and thought that i might also look at the series as a whole.



The series consists of 5 films (at the time or writing), these are:



The 5 films come from Korea are separate stories with different characters and can be watched in any order but, they are connected by certain themes and plots;



All the films are are set in an all girls school, it is never said whether it is meant to be the same school but it does look like the same buildings are used in some of the films.  The girls in Whispering Corridors walk past the steps that are used in Wishing Stairs.



There is always at least one ghost but the reason for the hauntings and how the ghost appears differs.



The main protagonist are a group of two or three girls normally with one other who wants to join the group or be friends with one of the other girls.



The narrative of the films focus more on the relationships of the living girls than the ghost.  Even ‘Voice’ which starts by having one of the main characters killed off and trying to work with her friend to find out what happened ends up focusing on the living lead and a new friend.  As part of the focus on the character's relationships  we see that there is always two of the girls who have a close relationship some of whom can been seen to lovers.  These relationships often play a  big part in the focus of the narrative and, even though i can’t think of a part in any of the films where it is shown/stated that any of girls are lovers there are often rumours going around the classes and it is often these rumours that act as a catalyst in the films.  Most of the time the effects of the rumours are bad, they either drive a wedge between the girls or lead to one of them being ostracised from the class or group.  In ‘A Blood Pact’ the rumour is spread about one of the girls being pregnant and even though the rumour turns out not to be true (or at least about the wrong girl) it is still shown to cause grief and problems for the girl.



One thing that stood out to me about the handling of the relationships is that they were done well.  Some of the girls have very close relationships and it would have been very easy to show this with some kind of physical device like kissing or even sex.  Unlike some movie's I don’t think the inclusion of a sex scene would have done these films any damage but the fact that the relationships are shown to be so strong with one is a good thing and even when a relationship does get physical it is always as part of the story and, again nothing is ever shown and only referenced when needed.
The films don’t shy away from things like bullying and abuse and the different films it can take and the feel of these seems to change as the films go one.  In the first two films there are abusive male teachers one of whom has a relationship with one of the girls but the later films have less of this.  I’m not sure if this was something that used to happen and has been phased out as attitudes changed in the real world but it does seem to be something that may have influenced the earlier films.   The abuse of the girls is not solely down to the male teachers.  In ‘A Blood Pledge’ we have one of the girls beaten by her dad because he thinks she is worthless. In ‘Wishing stairs’ one of the things shown is a mother pushing her daughter into something she doesn’t want to do (Ballet) because she never had the chance to do it when she was younger and in ‘Memento Mori’ a friendship is broken up by a teacher because one girl could do better but is being held back because her friend is different.
The films also show bullying, normally caused by the main characters classmates when they see that one of the main cast is different.  normally because of how close two of the girls are but also if one of the girls is seen to be different like in Memento Mori.  In ‘A Blood Pledge’ we also see one girl picking on the others in the group because she is weaker and how the whole pledge is set up just to get rid of one rival.



The ghosts are more than just a your normal horror villains.  They are rounded characters who, in some cases were members of the main group when they were alive.  They differ from ghosts in other movies because they are not just revenge driven.  It’s true that some of them are out for revenge but there are other motivations as well.  The films do not necessarily go for the big scares although the ghosts can be scarey.  The films play on some of the tropes for instance there is a scene in ‘Wishing Stair’ where one of the girls climbs through a window, she is on all fours with her hair over her face, the scene is reminiscent of Sadako coming through the T.V. in ‘The Ring’.  The ghosts intentions are not always evil but their presents causes problems and their methods are not always the normal way.  Some of the behavior of ghosts is explained in ‘Voice’.
The interesting thing about the ghost, especially in the first 3 films is that they are not always necessary as a lot of the ghosts  action  is phycological.  I did read (but not verified) that the ghost in ‘Memento Mori) was never meant to be seen and was only put in because it was felt that people would not like a ghost film with no ghost in it.



The Ghost School films are good but I did have a problem with them and that is that they are not linea.  This is especially true of Memento Mori and Voice.  Memento mori is told via a lot of flashbacks but i found that it was hard to tell when the flashbacks were happening.  The voice is split into 4 days but the days are not shown in order and are also separated by the credits running.



The Whispering Corridor / Ghost school films are a good set of films that tell emotional tales and also feature ghosts.  The stories are well thought out even if a couple of them seem to come across a bit jumbled due to their non linear nature.  The are not played just for scares but, in the context of the film it’s not necessary.  The films don’t go over the top on the gore but again this is not necessary, if there is a need for blood than there is blood.  For the most part the ghost are not monsters they are like a lot of J & K-horror ghost that people (in the west) will have seen, that is pale people with black eyes  like Sadako.
If you are looking for gory, slasher films then the whispering corridor / Ghost school films probably aren't for you although it may be worth giving ‘A Blood Pledge’ a watch. If you are looking for something different with a good story then give them a watch.



Tuesday, 16 September 2014

Voice

Title - the Voice (Ghost School 4, the whispering corridor 4)
Language - Korean
Genre - Horror, Ghost




















The voice is number four in the Ghost school/Whispering Corridors film series and this time around we follow students in a music class and school radio.  As with the previous films we primarily follow two friends This time they do appear to be just friends and not lovers.  The two primary characters are:



Sun-Min who is the lead anchor for the school radio station
Young-Eon - the top singer at the school



there are also three other secondary characters of the music teacher, Hyo-Jung and Cho-Ah



The Voice is split over four days and a few flashbacks but is shot in a nonlinear fashion in a similar vein as the second film Memento Mori although I did find that it is easier to follow.



The film starts with Young-Eon singing and Sun-Min recording her.  The pair are supposed to be going out with some friends but Young-Eon stays behind to practice some more.  After Sun-Min leaves someone else enters the music room, Young- Eon can not see her but she is chased out of the room towards the elevator.  She turns to try to see who her attacker is but is hit in the throat by a page of sheet music.  Young-Eon then wakes up in the music room.  Thinking it was all a dream Young-Eon heads through the school but she soon realizes that no one seems to see her.  She finally realizes what has happened when she stands under a leak in the roof, the dips just pass through her.  Young-Eon tries to go for help but finds that she can not leave the school, whenever she attempts to go through the exit she is turned around and finds herself back in the lobby



Whilst this is going on the school day has started, Sun-Min is annoyed that young-eon has not replied to any of her calls but she becomes concerned that Young-Eon has not turned up for any of her classes.  Sum-Min goes to the reception to see if Young-Eon has contacted them about not being in and she is told that it is the anniversary of Young-Eon’s mothers death.  The faculty have assumed that Young-Eon is paying her respects.



Whilst trying to find out what is happening Young-Eon is approached by another ghost, Hyo-Jung who starts telling her that it was Young-Eon who pushed her mother off the hospital roof and that she had also killed the previous music teacher.  Young-Eon doesn't believe this and runs of.  She finds Sun-Min and discovers that she can hear her, Young-Min manages to convince Sun-Min that she is real and asks for her help.



Sun-Min meets another student, Cho-Ah who can hear not just Young-Eon but other ghosts that are in the school but, instead of helping helping Sum-Min she advises her to not to pay attention to Young-Eon.  At first  Sun-Min ignores this advice and tries to help Young-Eon to find out who Hyo-Jung was and why she is tormenting Young-Eon.  Things start to get strange and Sun-Min goes back to Cho-Ah for help.



One of the main themes of the Voice is coping with the death of a friend and letting of of them.  Cho-Ah tells Sun-Min that she is the one holding Young-Eon back and stopping her from going to the afterlife.  She also tells her that a ghost will be able to communicate with someone they has a strong bond with in life but, if that person stops listening to them then they will lose this link.  as the film progresses Sun-Min goes from the comfort that Young-Eon’s ghost givers her to realizing that she is better off without her.
A second theme seems to be individualism or personality.  We have Sun-Min not only growing as she copes with the loss of Young-Eon but making new friends.  We also have  Young-Eon’s struggle as she tries to discover the truth in what Hyo-Jung tells her.  we are told that a ghost only remembers what it wants even if it’s not true so we are never sure if Young-Eon did kill the people we're told she did. The distress that the wrong memories cause, in the living and the ghost’s is shown by Young-Eon talking about the times when Sun-Min went to her house, this never happened and it does make Sun-Min doubt if the ghost is Young-Eon



The voice is different than the previous 3 films in that we know who the (main) with in ths in the first 10 minutes if the film but as the film goes on the ghost gets less and less of a problem.  the other 3 films do not introduce the ghost to us properly until the second half of the film with their threat growing until the point where it needs to be stopped.



As i said earlier The Voice is not linear which can make it sometimes hard to follow.  Although it did seem to flow easier than Memento Mori the story was broken up by the credits which started to roll on a couple of occasions. I think this was meant to help separate out the days but it did lead to some confusion.  



There seemed to be a few unanswered plot points in the film and for the most i think it was done deliberately as they really didn't matter to Sun-Min in the end.  The topic of the voice seemed unresolved.  Sun-Min discovered that Young-Eon & Hyo-Jung both had the same singing voice, it was even mentioned that Young-Eon sounded differently when she sang before she was killed, at the end of the film we see Young-Eon pleading with Sun-Min to help her find out what it means but by this point Sun-Min had already started to ignore her and left her in the corridor leaving a plot point that was referred to quit a bit just left open.  This does push home how much Sun-Min has change and how the problems of the ghost have nothing to do with her.



We also can’t really know who killed the music teacher or Young-Eons mother.  Even at the end when we see Young-Eon and Sun-Min discover the teacher we have already been told that it it a case of the time of Wolves and dogs, in this context meaning that you still can’t tell the truth from the lies (of fake memories). The only things that seem certain is that Hyo-Jung was jealous of Young-Eon’s relationship with the music teacher and there is no evidence that Young-Eon was any way in love with her.  All these false memories and lie’s  may just be a way to get Sun-min to keep talking to Young-Eon.  In the beginning Sun-Min is talking to Young-Eon to help get over her disappearance, at one point she even says that she doesn't believe that Young-eon is dead because there is no body but, as time goes on and especially after the body is found Sun-Min starts to go back to normal life so Young-Eon tries to pull her into the mysteries (and danger) to keep her with her.



The dangers that Young-Eon leads Sun-min to are also symbolic.  The longer Sum-Min is talking to Young-Eon the more impact it has on her real life, this is show by the reaction she gets when she is talking to Young-Eon.  Most of the time Hyo-Jung interacts with Sun-Min also seem to be an attempt to stop her from talking to Young-Eon and push her away from the ghosts.



The voice is a good watch, the fact it brakes down the days  helps with the non linear nature  of the film and the fact that half the things that happen don’t really lead anywhere means that you don’t miss much.  I think a second  viewing may uncover more things but the film is enjoyable any way.