Language - Korean
Genre - Horror, Ghost
The
voice is number four in the Ghost school/Whispering Corridors film
series and this time around we follow students in a music class and
school radio. As with the previous films we primarily follow
two friends This time they do appear to be just friends and not
lovers. The two primary characters are:
Sun-Min
who is the lead anchor for the school radio station
Young-Eon
- the top singer at the school
there
are also three other secondary characters of the music teacher,
Hyo-Jung and Cho-Ah
The
Voice is split over four days and a few flashbacks but is shot in a
nonlinear fashion in a similar vein as the second film Memento Mori although I did find that it is easier to follow.
The
film starts with Young-Eon singing and Sun-Min recording her. The
pair are supposed to be going out with some friends but Young-Eon
stays behind to practice some more. After Sun-Min leaves
someone else enters the music room, Young- Eon can not see her but
she is chased out of the room towards the elevator. She turns
to try to see who her attacker is but is hit in the throat by a page
of sheet music. Young-Eon then wakes up in the music room.
Thinking it was all a dream Young-Eon heads through the school
but she soon realizes that no one seems to see her. She finally
realizes what has happened when she stands under a leak in the roof,
the dips just pass through her. Young-Eon tries to go for help
but finds that she can not leave the school, whenever she attempts to
go through the exit she is turned around and finds herself back in
the lobby
Whilst
this is going on the school day has started, Sun-Min is annoyed that
young-eon has not replied to any of her calls but she becomes
concerned that Young-Eon has not turned up for any of her classes.
Sum-Min goes to the reception to see if Young-Eon has contacted
them about not being in and she is told that it is the anniversary of
Young-Eon’s mothers death. The faculty have assumed that
Young-Eon is paying her respects.
Whilst
trying to find out what is happening Young-Eon is approached by
another ghost, Hyo-Jung who starts telling her that it was Young-Eon
who pushed her mother off the hospital roof and that she had also
killed the previous music teacher. Young-Eon doesn't believe
this and runs of. She finds Sun-Min and discovers that she can
hear her, Young-Min manages to convince Sun-Min that she is real and
asks for her help.
Sun-Min
meets another student, Cho-Ah who can hear not just Young-Eon but
other ghosts that are in the school but, instead of helping helping
Sum-Min she advises her to not to pay attention to Young-Eon. At
first Sun-Min ignores this advice and tries to help Young-Eon
to find out who Hyo-Jung was and why she is tormenting Young-Eon.
Things start to get strange and Sun-Min goes back to Cho-Ah for
help.
One
of the main themes of the Voice is coping with the death of a friend
and letting of of them. Cho-Ah tells Sun-Min that she is the
one holding Young-Eon back and stopping her from going to the
afterlife. She also tells her that a ghost will be able to
communicate with someone they has a strong bond with in life but, if
that person stops listening to them then they will lose this link.
as the film progresses Sun-Min goes from the comfort that
Young-Eon’s ghost givers her to realizing that she is better off
without her.
A
second theme seems to be individualism or personality. We have
Sun-Min not only growing as she copes with the loss of Young-Eon but
making new friends. We also have Young-Eon’s struggle
as she tries to discover the truth in what Hyo-Jung tells her. we
are told that a ghost only remembers what it wants even if it’s not
true so we are never sure if Young-Eon did kill the people we're told
she did. The distress that the wrong memories cause, in the living
and the ghost’s is shown by Young-Eon talking about the times when
Sun-Min went to her house, this never happened and it does make
Sun-Min doubt if the ghost is Young-Eon
The
voice is different than the previous 3 films in that we know who the
(main) with in ths in the first 10 minutes if the film but as the
film goes on the ghost gets less and less of a problem. the
other 3 films do not introduce the ghost to us properly until the
second half of the film with their threat growing until the point
where it needs to be stopped.
As
i said earlier The Voice is not linear which can make it sometimes
hard to follow. Although it did seem to flow easier than
Memento Mori the story was broken up by the credits which started to
roll on a couple of occasions. I think this was meant to help
separate out the days but it did lead to some confusion.
There
seemed to be a few unanswered plot points in the film and for the
most i think it was done deliberately as they really didn't matter
to Sun-Min in the end. The topic of the voice seemed
unresolved. Sun-Min discovered that Young-Eon & Hyo-Jung
both had the same singing voice, it was even mentioned that Young-Eon
sounded differently when she sang before she was killed, at the end
of the film we see Young-Eon pleading with Sun-Min to help her find
out what it means but by this point Sun-Min had already started to
ignore her and left her in the corridor leaving a plot point that was
referred to quit a bit just left open. This does push home how
much Sun-Min has change and how the problems of the ghost have
nothing to do with her.
We
also can’t really know who killed the music teacher or Young-Eons
mother. Even at the end when we see Young-Eon and Sun-Min
discover the teacher we have already been told that it it a case of
the time of Wolves and dogs, in this context meaning that you still
can’t tell the truth from the lies (of fake memories). The only
things that seem certain is that Hyo-Jung was jealous of Young-Eon’s
relationship with the music teacher and there is no evidence that
Young-Eon was any way in love with her. All these false
memories and lie’s may just be a way to get Sun-min to keep
talking to Young-Eon. In the beginning Sun-Min is talking to
Young-Eon to help get over her disappearance, at one point she even
says that she doesn't believe that Young-eon is dead because there
is no body but, as time goes on and especially after the body is
found Sun-Min starts to go back to normal life so Young-Eon tries to
pull her into the mysteries (and danger) to keep her with her.
The
dangers that Young-Eon leads Sun-min to are also symbolic. The
longer Sum-Min is talking to Young-Eon the more impact it has on her
real life, this is show by the reaction she gets when she is talking
to Young-Eon. Most of the time Hyo-Jung interacts with Sun-Min
also seem to be an attempt to stop her from talking to Young-Eon and
push her away from the ghosts.
The
voice is a good watch, the fact it brakes down the days helps
with the non linear nature of the film and the fact that half
the things that happen don’t really lead anywhere means that you
don’t miss much. I think a second viewing may uncover
more things but the film is enjoyable any way.
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