Gatchaman, Death Notes and rhinoceros

Gatchaman Crowds - Insight

*Contains Spoilers*

At the time of writing we are on episode 9 of the second season of Gatchaman Crowds and I am continued to be impressed.  If you're not familiar with the series you still may have hear the name ‘Gatchaman’ which was an anime/cartoon that was around in the 1980’s that went by a number of different names, depending on where in the world you lived.  You could have known it by:

G-Force

Battle of the planets

Eagle Riders

Science Ninja Team Gatchaman

The 80’s series followed a team of heroes who fought space aliens and donned bird themed costumes.  The Series followed a ‘monster of the week’ format in the same style as Power rangers or Terrahawks where we see the enemy send a monster to attack  earth and the Gatchaman team would fight and defeat it.  Gatchaman Crowds is not the 80’s series, the hero’s still, occasionally, transform into costumes, some of which are bird themed but gone are the weekly monsters, replaced with a series long threat and characters who scheme and plot to their own ends.  And we don't just get one scheme, in the second season we start with a terrorist group who want to get rid of the crowds which are blue or red creatures which can be summoned by their users to help them in anything.  We also have a new visiting alien, Gelsandra who becomes obsessed with  making humans happy and ‘one’.  The crowds are soon remove to make way for the new story but i think they will make a return by the end of the series.

As i stated above we are now on episode 9 and I find myself drawing similarities first to ‘Death Note’, an anime and now live action series from Japan about a boy who finds a book which will kill anyone whose name is written in it (A very basic synopsis I know, I’ll cover more later) but also I found myself comparing Gatchaman to the play ‘rhinoceros’ by Eugene Ionesco.  Gatchaman contains the themes of sociological change and individuality with a number of characters whose’ gender is questionable, I have to admit I was unsure of Rui Ninomiya’s gender for most of the first season.  In Episode 8 we are introduced to the Kuu-sama, creatures that are only concerned with making humanity (or at least Japan) one, meaning that they want a society where everyone is happy but also of one mind.  Anyone who disrupts this oneness is swallowed by the Kuu-sama.  This is where Gatchaman is similar to ‘Death Note’.  In ‘Death Note’ Light Yagami is using the titular book to make a ‘perfect’ society by killing off criminals, thus making most people feel safer and scarring anyone who would consider a criminal act.  As ‘Death Note’ progresses it is questioned where Kira (the name given to Light by the public) will stop, if he starts punishing lower crimes this may affect more of the normal people.  This point is expanded in ‘Gatchaman Crowds’, when the Kuu-sama start absorbing people it is those who are social problems, the people who play their music loud at night and the people who molest women on the tube train but it soon expands to anyone who doesn’t want to doesn’t want to do the same as a group which leads to people joining in with activities not because they want to but because they want to but because they are afraid to do anything different.  We also see the same disregard for the current law enforcement that starts to happen in ‘Death Note’, in Death Note there are a lot of the normal population who start to side with Kira over the police because he is seen to be doing something about the rising crime where the police appear to be powerless and in Gatchaman we see the population turning against the Gatchaman team who are a law enforcement team where aliens are concerned.  Even when the Kuu-sama start to absorb people the majority of the population  react by ignoring the Gatchaman’s warnings because the affected people can be seen to deserve it.

As I have said Gatchaman Crowds also follows covers the subject of individuality and fitting in which is where the comparison with the play ‘rhinoceros’.  There are a few different  groups/identities in Gatchaman, the most obvious are the Gatchaman themselves who are known as the Gatchaman even in their civilian identity but the character within the group some of which are aliens.  As I've already mentioned one of the team members O.D. is a famous cross drag queen who is also a Co host on a popular T.V. show who questions his identity when a second drag queen is brought onto the show.  I found Gatchaman became similar to 'Rhinoceros' with the introduction of the Kuu-sama.  In 'Rhinoceros' people start changing into Rhinoceros (for no reason) and, although it is first seen as strange it becomes a new fashion with those who do not turn being seen as strange and uncool even though it not known what is causing it or if it is dangerous.  This is the same reaction with the Kuu-sama, to begin with no one knows where they come from but, when it is found that they make people feel better about themselves and happier people just accept them and try to make anyone who doesn't accept them.  The comparison is continued when you consider the earlier in the series the public chose to stop using the crowd so, instead of changing from person to rhinoceros we have the change from crowds to Kuu-sama.

Gatchaman Crowds is a good thought provoking anime which uses science fiction to bring across interesting points about society and human culture.